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I Spit on Your Grave watch full movie online free streaming in HD on Fmovies. But I know which one will give me, and many other women, the most comfort.An aspiring writer is repeatedly gang-raped, humiliated, and left for dead by four men whom she systematically hunts down to seek revenge. If rape remains as easy to get away with as it is at present, films in which women get even through the legal system will become as unrealistic as ISOYG. It was and still is exploitative, but at least it does not present the criminal justice system as a friend to women. I stand by the pickets against the video-nasty genre 30 years ago, but on reflection I was wrong about ISOYG being harmful. If I were gang-raped, aware as I am of the near impossibility of winning justice through the courts, I would not be sitting here fantasising about being saved by crusading lawyers and nice men. I still believe in our criminal justice system and am against vigilante attacks, but the fact remains that the majority of men who rape women get away with it. The jury, against the directions of the judge, acquitted her.
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I sat through a murder trial in the 1990s in which a woman stabbed and killed the man who had raped her child. It does not rely on the law of the land, but on a woman being pushed too far and deciding enough is enough. The revenge meted out in ISOYG, however, is something men should fear. Whereas The Accused serves as a warning to men who do nothing to stop rape, the punishment they receive in the film is highly unlikely to happen in reality. The Accused was a fairytale about how we would like things to be, but had failed to make happen during the glory days of the women's movement. In a way ISOYG was a revenge-rape-revenge story, perhaps serving as an unconscious warning to women about getting too uppity. The feminist movement was at its height when ISOYG was made in 1978, with a plethora of conferences and marches through cities protesting about rape, domestic violence and unequal pay and arguably its weakest at the time of The Accused, when Thatcherism had more or less destroyed the left and weakened feminism alongside it. A huge march through the community was organised to celebrate the acquittals and the woman was, in effect, run out of town. The rapists were convicted but the onlookers acquitted.
The trial was televised and the victim's identity became known, resulting in her being vilified by almost the entire town. It went to trial amid tales of the victim's previous sexual history and rumours of drunkenness. In 1983 a woman was gang-raped on a pool table in New Bedford, Massachusetts, while onlookers cheered. The film is based on a true story, but with a somewhat different outcome.
With the help of a determined prosecution lawyer and a decent man who was in the bar and decides to give evidence, the men who cheered the rapists on are convicted amid dramatic courtroom scenes. Foster's character Sarah is a party animal who dirty dances with a man in a bar and is raped by him and two others over a pinball machine in full view of their cheering mates. Why then, do I still believe both versions of ISOYG to be more feminist – albeit in a purely accidental way – than The Accused, the much-lauded 1988 film starring Jodie Foster?įeminists hailed The Accused, partly because the story served to debunk a number of pernicious rape myths.
It is nothing if not an exploitation movie. One has his penis hacked off and bleeds to death, another is garrotted, and so on. Local men – unappealing rednecks – spy on her while she sunbathes in a tiny bikini, before capturing, humiliating and raping her over and over again.Įventually Jennifer recovers, tracks the rapists down one-by-one and exacts the most delicious revenge on them. It shows, in detail and at length, the gang rape of Jennifer, a sexually confident young woman from New York City who moves to the country to live in an isolated log cabin while writing a novel.